Art Historian More Than Any Other Genre of Representational Painting Lsat
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Art historian: More than any other genre of representational painting, [#permalink] 
18 Feb 2021, 12:56
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Question Stats:
55% (02:27) right 45% (02:37) incorrect based on 143 sessions
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Fine art historian: More than any other genre of representational painting, even so-life painting lends itself naturally to art whose goal is the artist's cocky-expression, rather than merely the reflection of a preexisting external reality. This is considering in still-life painting, the artist invariably chooses, modifies, and arranges the objects to be painted. Thus, the artist has considerably more control over the composition and subject of a nonetheless-life painting than over those of a landscape painting or portrait, for example.
Which one of the post-obit is most strongly supported by the art historian'due south statements?
(A) Landscape painting and portraiture are the artistic genres that lend themselves most naturally to the mere reflection of a preexisting external reality.
(B) The only manner in which artists control the composition and subject field of a painting is by choosing, modifying, and arranging the objects to exist represented in that painting.
(C) Nonrepresentational painting does not lend itself as naturally as still-life painting does to the goal of the artist'due south self-expression.
(D) In genres of representational painting other than still-life painting, the artist does not always cull, modify, and arrange the objects to be painted.
(E) When painting a portrait, artists rarely effort to limited themselves through the pick, modification, or arrangement of the groundwork elements confronting which the subject of the portrait is painted.
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Art historian: More than any other genre of representational painting, [#permalink] Updated on: 23 Feb 2021, 14:46
ii points to note: 1. A - - - > B - - - > C ii. C > Z (other genre of representational painting); .
still-life painting lends itself naturally to art whose goal is the creative person's self-expression --- > artist invariably chooses, modifies, and arranges the objects to exist painted --- > the artist has considerably more control over the composition and discipline of a still-life painting
We cannot comment on any other genre of representational painting separately that how much control the artist has.
Quote:
Which 1 of the following is most strongly supported by the art historian'south statements?
(A) Landscape painting and portraiture are the artistic genres that lend themselves most naturally to the mere reflection of a preexisting external reality.
Opposite is given .: the artist has considerably more than control over the composition and subject field of a still-life painting than over those of a landscape painting or portrait
(B) The only way in which artists control the composition and bailiwick of a painting is by choosing, modifying, and arranging the objects to be represented in that painting.
Alert: We don't know if there are other factors that leads to C
Reject1: Which painting - representational, not-representational , yet-life? The betoken is very open up. It doesn't say all paintings, information technology talks about a painting.
Reject2: The conclusion is based on comparison of 2 paintings . This option doesn't add value to the data what nosotros are looking for . ( we are looking to support what can make more command over the composition and subject of a still-life painting than over those of a landscape painting or portrait)
(C) Nonrepresentational painting does non lend itself as naturally as still-life painting does to the goal of the artist's self-expression.
More than whatever other genre of representational painting, -- > we can non comment on Nonrepresentational
(D) In genres of representational painting other than all the same-life painting, the creative person does not e'er cull, change, and conform the objects to be painted.
the creative person has considerably more command over the limerick and subject field of a still-life painting (artist invariably chooses, modifies, and arranges the objects to be painted) than over those of a landscape painting or portrait.)
Given C > Z
Say: B--- > C; Y -- >Z
If C > Z
Thus B > Y
(Due east) When painting a portrait, artists rarely attempt to express themselves through the choice, modification, or arrangement of the background elements against which the subject of the portrait is painted.
Opposite is given
Originally posted past mSKR on xviii February 2021, 14:37.
Final edited by mSKR on 23 Feb 2021, 14:46, edited ii times in total.
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Art historian: More than any other genre of representational painting, [#permalink] 22 February 2021, 10:23
"in withal-life painting,the artist INVARIABLY chooses, modifies, and arranges the objects to be painted. Thus, the artist has considerably more control over the composition."
The writer specifically mentions that an creative person always chooses to "choose, modifies, and arranges the objects to be painted". I really don't run into the donwn side of the use of farthermost word "the only way" in option B, since, patently, the creative person invariably does that.
Any thoughts why B is wrong?
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Re: Art historian: More than than any other genre of representational painting, [#permalink] 22 Feb 2021, 12:01
ueh55406 wrote:
"in still-life painting,the creative person INVARIABLY chooses, modifies, and arranges the objects to exist painted. Thus, the artist has considerably more than control over the composition."
The author specifically mentions that an artist always chooses to "cull, modifies, and arranges the objects to exist painted". I actually don't run into the donwn side of the use of extreme word "the simply style" in pick B, since, apparently, the artist invariably does that.
Any thoughts why B is wrong?
Posted from my mobile device
I ruled out B because of a primal word : "only"
(B) The merely way in which artists control the composition and field of study of a painting is past choosing, modifying, and arranging the objects to be represented in that painting. Ten
We don't know whether the ONLY manner artists control the limerick and subject is by choosing, modifying...
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Re: Art historian: More than any other genre of representational painting, [#permalink] 23 Feb 2021, xiv:50
ueh55406 wrote:
"in notwithstanding-life painting,the artist INVARIABLY chooses, modifies, and arranges the objects to be painted. Thus, the artist has considerably more control over the limerick."
The author specifically mentions that an artist always chooses to "choose, modifies, and arranges the objects to be painted". I really don't see the donwn side of the utilise of extreme word "the only way" in option B, since, apparently, the artist invariably does that.
Any thoughts why B is incorrect?
Posted from my mobile device
You are correct.
If Ten leads to Y
and X is the simply reason to make Y and so it is strengthening. So we can't reject based on "but" factor
Only in option could be an high warning but it is better to look for other reasons as y'all queried.
Here are other reasons: ( i have updated above postal service)
(B) The just fashion in which artists control the composition and field of study of a painting is by choosing, modifying, and arranging the objects to be represented in that painting.
Alert: We don't know if there are other factors that leads to C
Reject1: Which painting - representational, non-representational , all the same-life? The point is very open up. It doesn't say all paintings, information technology talks about a painting only.
Reject2: The conclusion is based on comparison of ii paintings . This option doesn't add value to the information what nosotros are looking for . ( we are looking to support : what can make more control over the limerick and field of study of a notwithstanding-life painting than over those of a landscape painting or portrait)
Hope information technology helps.
Re: Art historian: More than any other genre of representational painting, [#permalink]
23 February 2021, 14:l
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